Archive

Archive for the ‘Novel-related stuff’ Category

Novel writing: when deciding what novel to write feels TOTALLY impossible

April 29, 2012 4 comments

Sometimes, when I just can't decide on what to write, I paint

For anyone out there who is right at the beginning of their career as a novelist — so early in their career, in fact, that at this point in time, calling it something so defined and formal as a career seems distinctly optimistic and in no small way stupid — deciding which kind of novel to write is quite possibly the biggest dilemma of them all. In my experience, those unfamiliar with this spectacle of hard-working bum-numbing slavery — those who, through no fault of their own, can only speculate on what writing a novel must be like — think that the physical act of writing is the hardest part, and that the decision to write the novel in question is formed somewhat easily from some grand idea which has been long in the making; an idea which just seems right somehow…in the same way that we all pick up a good book and find outselves entirely immersed, as if this novel could only have been written in this very specific way by this one author. (Ahhh, the romance of it all.) Yet the late nights, the early mornings, the totally all-encompassing nature of it all and the way it takes over every single aspect of your life, including sleep, are, for me, nothing in comparison to the gut-wrenchingly difficult process of choosing one novel idea over another. It’s a cruel and necessary game that plays out for all of us writers, and the simple fact is that it doesn’t ever get any easier, because the rules are always changing and we’re always looking to create something better. The problem, I suppose, is that while you are writing one novel — that book which to begin with seemed so right, so your own making — your mind is also, by turns, working in another direction towards a different novel idea that very badly wants to make itself known. And this is where the danger comes in. For what it is worth, here are my tips for sticking and deciding upon one idea and all other related matters.

Beautiful as it is, be grateful that you don't have to confront this non-saving entity every single day

1) Can’t decide which idea you want to write about? In the past, when I have been in this situation and forced it — become so fed-up with the procrastination of it all that I have found myself frantically writing a novel, any novel, just so it could be done and I could move on — the result has been at times OK, at times awful. A forced novel — that is to say, a novel which is born of desperation to put words on paper and fulfill the outline of an idea which is more mechanics than emotion — is a bad novel which will likely go nowhere. Whatever you want to write, a burning ambition to complete the project is the only common thread that links us all. Write that novel because you simply must do it. Write it because whenever you should be doing something else, the idea plays on your mind and just won’t leave you the hell alone.

2) A novel is not a loose outline of events without an ending, or a concept floating loosely between copycatting someone else’s work and two forged ideas. Never forge ideas together — what do I mean? I mean don’t take two or more novel ideas you have had and chuck them together as one, pretending that this might somehow work. Just because there is a beginning, middle and an end, does not mean that those ends go well in company of one another. Keep on point and you’ll be right.

3) Stop worrying about how people will react to the idea of your novel, and don’t be alarmed if you don’t see that idea already in print somewhere on Amazon. While it’s always good to know that there is a similar work of fiction out there — something of familiarity is welcome in such a lonely pursuit as this one — the fact that there isn’t can be a special, magical thing. It could mean you have stumbled across a concept which is unlike most and therefore impressive! Always remember that at some point in history, an idea was revolutionary and new and that author — think Nabokov’s masterpiece Lolita — was condemned for creating what is now considered a masterpiece. Bravery does pay, so forget what others are saying and doing, because that’s a waste of time. If you believe in your concept and believe you can make it reality, then you can. There is no doubt about that. Words are oganic, and it can be done.

Nabokov. Picture Copyright Mantex.co.uk

4) What are your strengths? I love reading thrillers. The Bourne Identity by the now deceased Robert Ludlum is a classic in my opinion. Yet, much as I adore reading this book and others like it — I just finished Drive by James Sallis which was different but similarly fascinating in form — I know that my strengths do not lie in the thriller-writing field. What a pain, would be so much easier if they did. The reason why: I find it difficult to be serious for that long, and my job as a freelance writer already commands enough of my time to be spent seriously. The up-shot of this is that after work I am glad to write in a way which feels completely unshackled. So, if you enjoy writing humourism, write comedy, or something with a comedic thread. If you enjoy writing romance and you are a man, do not be put off. If I were you, I’d just write whatever you enjoy doing and say bollocks to everyone else. You’re going to be spending one hell of a lot of time doing this, remember, so you want that raw enthusiasm to be present always. More importantly, if you ever expect a reader to pay for your work and spend many hours voraciously consuming it, you have a moral and intellectual obligation to them to produce work which is a direct representation of your most natural abilities.

5) Be careful about inserting religion, your own moral values and ideas into your novel: for me, this is a critical point. As far as I am concerned, it doesn’t matter if you are religious or not, what you believe or don’t believe, or what you think is great about the world. Just remember that your characters should — I think — begin life as people in their own right. This is not a crusade. They should develop their own voice, their own moral out-look in life and be capable of being in direct disagreement with everything you stand for. If you only ever write characters which feel like you and act like you do, how do you expect them to outgrow your own limitations and expand into something big, scary and influential to the reader? If writing about characters who are so different from you feels wrong or immoral, then perhaps this is the wrong genre to be writing in?

If you do have a cause to further, though — you want to write about something to further awareness, rather than to ram your ideas down the reader’s throat — go ahead. Write about what matters to you. I know I did with my debut novel, and it was the best decision I have ever made.

6) This could go on all day, but I will end here on this important point: sometimes, just sometimes, you will be in a strange mental place where 3 or 4 or 5 ideas all seem like the right novels to write at this very moment. This is, quite possibly, the cruelest game for the intellectual spirit to play, and it may just mean that yes…you are cursed: you must write all these novels one after another. Bummer. Bigggggg bummer. But, oh well, things could be worse. At least you have ideas. Right?

14 novel writing lessons you simply cannot ignore

April 24, 2012 10 comments

It doesn’t matter if you’re sitting down to write your very first novel, or your tenth. Here are a few things I always tell myself — purely my opinion, so I’ll let you decide if they are relevant or not. Who knows, maybe they will come in handy for you:

1) If you think there are no real rules for writing novels and forming structure, you’re wrong: there are hundreds of right ways and wrong ways to do things, but you don’t need to know them all — all you need to know is what works for you. Read a lot, read as much as you can, because if you’re not reading what’s been created before you, you’re not going to increase your knowledge to the level at which you can explode that knowledge, expand on it and produce something genuinely worthwhile that the world really needs.

2) Words are organic. They are just words. Stop getting attached to words, it’s ridiculous. Losing 100 pages of your debut novel may be the best thing that can ever happen to you. You’ll fight to get it back, and if you make it past that then you can do anything. N-E-THING.

3) Write novels, spend months slaving, then never, ever look at them again. It’s not a waste. Not every single book you write, at least in the very beginning, will be worthwhile. Just because you wrote something doesn’t mean that you should publish it. Publish a novel that you know in your heart isn’t good enough, and you’re only making the already tough journey harder than it needs to be. Above all, trust yourself.

4) Don’t just read what you love to write. Reading different genres allows you to understand the methods and madness intrinsic to every type of writing. Romance books will teach you how to tackle emotion, while thrillers will teach you speed, pacing and tight sentences. Read literary fiction and you’ll soon learn what you can and cannot get away with, experimentally speaking. Read non-fiction: it is essential, and once you’ve absorbed enough of it you’ll be able to merge the boundaries between what’s real and what’s not in a way that would have been impossible before. Your words won’t just jump off the page, they’ll grab your reader round the throat and make their heart bloody race.

5) Stop reading over your first draft over and over again. It is nothing less than a waste and, worse, mental torture that will dog you of inspiration and threaten to destroy the entire process. Once you have written your novel, leave it and don’t touch it, don’t even look at it for at least 2 months. Maybe more. Zadie Smith — author of the wildly successful White Teeth and absolutely stunning On Beauty — once said that you should leave your novel years before you look at it again. I tend to agree, although I may get run over tomorrow, so I prefer to leave it a minimum of 2 months.

6) Be prepared for people to despise your work. Be prepared for reason-less hate and constant criticism about everything you’re trying to convey. Polarizing opinion can be great. Fuck it, it doesn’t matter anyway. Every single new idea that was ever produced began life as something which someone, somewhere, despised. New ideas are always hated: they are the uncomfortable notions of progress and should be championed. Without them, you’re just following others. Think about it: what’s more disgusting, refusing to move your bag so someone else can sit next to you on the train, or writing a novel which makes people really think and consider?

7) People will tell you You can’t write a novel in a few weeks, it takes years. That’s nonsense born out of total ignorance, pure and simple. Providing you have a concept, or the seed of an idea, you can write a book as fast as you can put words down. Even if you don’t: remember, there are no rules.

8) It’s OK to keep changing your mind and going from one idea to the other and back again. This IS healthy. It may not feel like it, and your creative writing teacher may find it unnatural, but your mind is turning the idea over and over, round and round, and that is natural. Waiting and considering many ideas allows the most important ones to rise to the top. Don’t fight this process, and if you’re too set on an idea then maybe it’s too easy. If you’re not challenged when writing, what will your readership think?

9) Swearing is OK, as long as the words hold purpose. Swear words have been part of literature since whenever that start was. A good writer will use them correctly, lending each one the attribute the power it deserves. A good writer will also use them incorrectly and somehow make it work.

10) Tense, rules about grammar, and everything you read in some generic internet article can be ignored — if you know why you are ignoring them.

11) If you want to write a book, you must begin sometime. If you enjoy writing, do it. If you don’t, then go and do something else instead.

12) Tackle big, scary, frightening ideas. Don’t ever not write something because you think that someone might be offended.

13) You must allow others to read your work.

14) Keep calm. The words will come, just get the ideas in your head straight first: what are you trying to say?

 

The Number 3 Mystery Book: Read the first two chapters and make sure you don’t think it’s total crap. Yes, I’m not JUST a bearded face!

April 19, 2012 8 comments

It’s been 9 months or so since I self-published my first novel, and what a journey so far. I won’t lie, it was slow in the beginning, but as the book has picked up support and love and I printed paperbacks, a small but cult following has begun to emerge — along with amazing reviews and mad-crazy-following support on Twitter. Just today Disability Cornwall sent me their new issue, which features the book on an entire page (click the link to subscribe and read online if you like). God I must sound like such a bighead, but still, it’s exciting to know that my novel, inspired greatly by Mark Haddon’s The Curious Incident of the Dog in the Night-Time wasn’t a total waste of my writing time. Scroll down to read the sample chapters or read this next bit. AND please excuse the stupid formatting for the chapter titles below…this is NOT how it looks in the book, it’s just WordPress being childish.

BUT

I HATE HATE HATE Amazon’s Look Inside feature. Just thinking about it makes me feel a little bit sick. Look inside what, exactly? A bag in the summer filled with smelly old skid-marked pants? OOOooooOOOOh, YES PLEASE AMAZON! Really…for such an enormous company, Amazon really haven’t got the first bloody clue about how to show potential readers a sample of what they might expect. You spend a year-and-a-half slaving over your debut novel, then you upload it and find that the first impression of it looks completely crap…the text running into the next paragraph at every opportunity, the whole thing thrown together to form nothing less than a monstrosity…

Which is why I have invented, as of fifteen-minutes ago, Chris’s LOOK AT THIS, YOU CAN ACTUALLY READ IT. Revolutionary, right? It’s basically a sample of The Number 3 Mystery Book as it actually appears (although the paperback version is formatted so the chapter headings begin on new pages) because I realised tonight that although I do have some novel samples elsewhere on this blog, I had never made a sample accessible on the front page. Well done Chris, you’re a little bit thick.

At least I didn’t include a picture of the book. I mean, it isn’t as if you could really miss it…

NEW Paperbacks are back in stock and Amazon UK and US are where you need to go for the digital copy. If you’re one of those really nose people then you can even find a 5 star review here. Want to see how the book cover art evolved into the end result? Then you can go here. Just please don’t Look Inside…

Chapter 1: Full-On Mega Disbelief

I was waiting in the dark for the door to open and it was very late. Imagine a really hungry, really frustrated short-necked Giraffe that has finally spotted a gang of leaves low enough for him to eat and this is precisely how excited I was. So much had just happened and all I kept thinking was I don’t believe it I don’t believe it I don’t believe it but wait…I DO believe it! and it needed to be told to someone quickly before the amazingness of the moment wore off, which would be a tragedy for humankind and the world as we know it. That someone was Mr Grundy. Since the place where my fantastic discovery had happened was owned by him, it was only right that he was that very lucky person.

“Mr Grundy!” I said, soon as I sensed motion and a bitter old man’s face appearing in the door-way. “You’ve got to hear my amazing stor-”

He put his hand up and a sort of Grundy-grunt came out of his mouth: wild boar with his snout out in the forest, I thought. Farmers had their very own code of unique snouty grunts.

“But Mr Grundy,” I said again, but whispering it this time to make me sound like listening was the only option for the old man to take. “Seriously, you don’t understa-”

He put his other hand up and clapped them together hard, his head all a-shaking. I honestly think that if he could have levitated on his big old bum in the air, he’d have put both his feet up to silence me too.

Mr Grundy then began a typical Grundy speech and no matter how hard I tried to interrupt him to talk about my discovery, I failed. The main thing he was saying was that he was not amused by me knocking on his door late at night. He is a farmer and Mrs Grundy is a farmer’s wife, so being not amused is often the case for both him and her, seeing as it’s always raining and he spends so much time outside working very hard for not very much money while everyone else sits at computers and earns loads of money without barely even needing to do more than just hit three buttons and lean back with eyes half closed and a coffee on the desk. Mr Grundy says that it is “a sick joke on all the hard-working farmers of the world that life is like this.” Also, they are both ages and ages old, which only make them even worse. You could say Mr Grundy is an expert-professional at being not amused. He is even better at being grumpy.

The second thing he said to me after opening the door in his tractor-pattern slippers was “Look Barney, it’s bloody late, it’s past midnight, what the hell do you think you are playing at?” To display his not-amusement so I could absolutely not miss it he put a lot of effort into making a big wrinkly face, or what Wonky my best friend once called “looks like an actual scrotum.”

I had been rehearsing this next bit since leaving the pond a few minutes before, so I said: “I’m sorry but I had to come right now Mr Grundy, I simply had no choice. I am also not amused, but that’s the way things go at the cutting-edge. It’s really not my fault, I am but a slave to the cutting edge and that’s just the way it has to be.”

He was still just staring straight at me. “The cutting edge again,” he said, “I’m up again at 5am tomorrow. Get to the point fast, boy.”

I continued: “well the point is this, Mr Grundy. I am still half terrified out of my wits from what I saw lurking in your pond earlier today, after I got home from school.”

“Lurking? Earlier today?” As Mr Grundy’s eyes focussed his eyebrows became like a big black bird diving straight at me. “You weren’t there at the pond just now were you? Because you’d better bloody well not have been,” he said, crossing his leathery hairy arms. “If I’ve told you once then I’ve told you a hundred flippin’ times boy…”

I was prepared for him saying this, I couldn’t very well not be the amount he’d warned me never to go to the pond at night, and so I said, “of course not Mr Grundy, what do you think I am? This was earlier today like I told you before.”

“I think I had better not answer that first part,” he replied, shaking his head.

I continued with my routine like I had cunningly worked it out. “Oh, I know the perils of the anti-heron fence, Mr Grundy,” I said. “And I know how forbidden going to the pond late at night is. I can assure you I did not do it and will never do it, not as long as I have hairs on my head, and I reckon that should be for at least twenty more years yet.”

Under his moustache I thought I could see Mr Grundy making a half smile. He followed this up with a deadly serious sigh what made his crops probably fear for their lives when they saw Mr Grundy and his scary tractor coming. “Good, good. And very glad to hear it. Just remember that the pond is no place to be at night Barney, not for anyone, especially not a thirteen year-old boy.”

“No way Mr Grundy, definitely not. I’ll never forget it for as long as I live. And I’m like an especially clever Elephant in the memorising respect.”

Inside my head where it was safe I did a big jump in the air and congratulated myself for lying really well and appearing totally believable.

Mr Grundy pointed his finger at me and I thought that dressing gown is ten generations of farmers old and you really should get a new one. “I bet if your dad knew you were out now he’d serve you a damn good hiding. I know I would if you were my son. Mark my words on that one, Barney.”

“Probably he would, but he’s not here as per usual,” I said. “Anyway Mr Grundy, few people,” I said with pride, “are as lucky as you are, and that makes you extremely privileged, you know.”

“Well, I should be thankful then,” said Mr Grundy. “Silly me…”

Exactly. This is the real thing what I’m talking about. This is the big-time. I’m sure you understand what I’m saying Mr Grundy. We have things to discuss. Like what exactly I saw in your pond much earlier today.”

“I think I get the picture, Barney.”

I could see on the clock in the hall that the time now was just before one am. It was very late, yes, but lateness was a small price to pay for knowing such classified information. I could see Mr Grundy was beginning to realise this too, and it was about flippin’ time. “Now look here,” he said, “much as I love being woken up in the dead of night to hear all about the cutting-edge, please just go home Barney.” And his moustache did a funny farmer’s wiggle. “Come and tell me about all this once I’ve had some sodding sleep, and let’s not be making this kind of thing a habit, right? Some of us have got fields to harvest and weather to curse.”

I said, “sorry and yes. Yes I most certainly will do that. You have my absolute word. And I may be only thirteen years old Mr Grundy but-”

“You’re a boy of your word.”

“Precisely.”

He sighed. “Yes lad, I thought you might be.”

I was about to leave, but before he could close the door and I could step away, Mrs Grundy and her big old massive ankles shuffled up behind Mr Grundy asking about what The Devil is going on here and such like. I don’t like it when people mention the Antichrist and look directly at me as though I might have seen him in the last few days and might be able to answer on his behalf. I already get teased at school with enough names for having such a strange-looking-massive-face and so I have a habit of “taking these things to heart.” Mum tells me this is perfectly understandable considering how things are for me but that I shouldn’t let it worry me because I am normal like everyone else even if I am affected by an unfortunate disease like the Elephant Man had (it isn’t actually Elephantiasis though, it’s called Cherubism. Cherubism makes you look strange, hurts your eyes and it really isn’t what you want when you’re a boy or anyone, because it messes up your teeth quite bad).

Mr Grundy whispered “he’s just going, love,” to Mrs Grundy. He looked at me with one stare-ey eye. “Aren’t you now, Barney.”

But she always did ignore him.

“Well hello Barney, it’s just gone one in the morning,” said Mrs Grundy, all dressing-gowned up, eyes much more open now. She shot Mr Grundy a look of womanly doom that I’m sure has killed many a weaker man in similar circumstances and then she crossed her arms across her big wobbly mountain-range of a chest. “Dear-dear, when our lad was your age…how old are you now Barney?”

“Thirteen Mrs Grundy,” I told her. “But getting older all the time.”

She leaned forward and spoke quietly just to me, which seemed to annoy the bitter old farmer even more. “…You don’t say…well, I used to put mine over my knee and spank his bottom for lesser crimes than this. What’s going on here at one a clock in the morning? You know damn well it’s much too late to be knocking on our door Barney Delaney. Whatever would your dad say if he knew you were here?”

I didn’t want to think about dad again so soon, so instead I thought of something else: I had always wondered why Mrs Grundy’s arms had so much flappy skin on the under-sides. Here was the answer at last: she had done way too much bottom spanking and it had made the flesh go all stretchy and elastic. Obvious really.

I said “I do know damn well Mrs Grundy, but I was acting out of fascination and extreme desperation and those two things when you put them together are greater than the most powerful under-sea dynamite, Mrs Grundy. What can I say, that’s what it’s like on the cutting-edge sometimes. You just have to deal with these things when they happen.”

They looked at one another and back at me and Mrs Grundy said, “If you say so, dear.”

“And I do,” I said, thinking again about the potential of my discovery. “And if anyone would know then I would.”

There was a small pause where new creases appeared on their faces and they had a kind of conversation which I was too young to join in with.

“Well sod this, I’m going to bed,” Mr Grundy said. “This is all very good and well but bugger off with you Barney. Go home before you get in any more trouble. And never go near the pond at night. Are we clear as muck on that?”

Language,” said Mrs Grundy, and she poked him hard with her elbow.

Mr Grundy gave her a right old dirty look and I thought marriage, forget it!

“He doesn’t mean it Barney-”

“Don’t I? I think you’ll find I bloomin’-”

Mrs Grundy put her hand on his cheek and pulled the skin and it was like old bubble-gum. “He’s just a bitter old farmer from a long line of bitter farmers, is all. But of course he’s right, you’re never to go to the pond at night. You can’t see what you’re doing around there and besides that, it’s not safe.”

“Consider me gone,” I said, “Consider I was never here at all.”

“I should be so lucky.”

For that, Mr Grundy got a look of razor-sharp-woman’s-daggers, and I wondered how much more an old bitter man could take.

“Do excuse his swearing,” Mrs Grundy said, slowly shutting the door. “And mind you don’t pick any of it up, won’t you?”

I said he was excused and I had barely even heard it, and as the door finally closed I said, just to myself, that I would banish the swearing from my mind like I did whenever Wonky opened her big mouth and had her way with her wicked opinions.

So I buggered off with me like I was told: what you need to know about Mr Grundy is that once he got his thumb caught in some farming machinery and it got ripped off quicker than quick and so when he says don’t do something he really does mean business and you should not mess with him. You should do as he says, always, no exceptions.

Unless it is very important, like it was with my discovery. In which case it’s for the good of Science that you ignore the rules and make your own up.

Chapter 2: That Thing

I Could Never Forget

“I am Barney and I am a thirteen year-old Cryptozoologist. Later you shall meet ‘Wonky’ whose real name is actually Jenny. She is my best friend and also the second most major character in this book. This what you hold in your hands here is a tale of epic discovery and excitement where things can and do go wrong and life is never the same again as me and my friend Wonky know it. And I’ll tell you for why, but you will need to buy this book to find out more, so there!”

When all these many words become a book then this is what I shall write in the ‘blurb’ on the back cover to ‘draw people in’ and make it a ‘page turner.’ They will be powerless to resist! I should also warn you now that you need to be a bit tough to read my book, because like in all good books, it’s a ‘rollercoaster of emotions’ and it isn’t always a time for smiling. As my dad would say when he’s in one of his massive great stinkers: “I’m being deadly serious. No mucking about!”

But now I realise that it is only Chapter 2 and I have already made a really big mistake of novel writing. One which would have Mr Novel (or whoever invented novels) banging on his coffin and screaming If I turn in my grave anymore I’m going to be sick!

In my excitement, you see, I totally forgot to tell you what my discovery was and why I was in such a rush to see Mr and Mrs Grundy so late at night. Woops. I am correcting this now otherwise it will not be a good book, it will be a very confusing book.

What happened before I knocked on the Grundy’s front door…

I won’t ever forget it. Like I said before, it was night-time, and I was at the big pond at the end of my road doing two things what Mr Grundy had told me many times not to do. I was 1) at the pond at night-time which was completely criminally forbidden and I was 2) standing dangerously close to the electric anti-heron fence what I had never seen kill any heron but I knew was highly ferocious (Mrs Grundy said that one time, a very unfortunate pigeon had landed backside-first on it, and probably his pigeony friends wouldn’t ever let him forget for as long as he flew, because pigeons had quite a good memory actually). That was when the incredible event which would change my life forever happened: a flash of silver rose up out of the water in the middle of the pond…and disappeared again quick as a flash, leaving only a few bubbles, making a proper Plop! as it went (like what you’d get if you had massive sky-scraper arms and held an elephant over the water and it did one almighty poo). I couldn’t even speak I was so stunned. In all the times I had secretly and illegally been to the Grundy’s pond at night I had never seen anything like this. It was the kind of thing to make even the wildest of dreams jealous and say: “I wish I’d have thought of that!”

Instantly and without needing to think about it anymore than you do walking along in a straight line or picking a bogey and flicking it at the back of someone’s head in class I knew that here was a creature that I had not seen and nobody in the world had ever laid their eyes upon either. What’s more, I knew that I had not imagined it and it was concrete fact and really had happened because a) it takes nearly ten minutes to walk around the pond and the entire thing was affected by ripples and b) If Mr Grundy or somebody in the world had seen this incredible creature then Mr Grundy’s pond would not be the peaceful place it always is, oh no. Why not? Well, because there would be reporters from National Geographic and people with cameras and crowds of screaming people, lots of them. My dad would call something like that a Media Circus. And I’ll tell you something for free: Media Circus’s do not happen in places like where we live, in this sleepy village outside of the university city of Cambridge where all the posh professors do their boring academic studying and live to be one-thousand years old. There once was a minor Media Circus a few years back when people first noticed there was something odd about the way my face looks compared to other people, but since then it has been very quiet on the Media Circus’s front and nowadays people mostly leave me alone to get on with my fascinating Cryptozoology business. This is lucky for me because large unidentified animals are often scared off by more than a couple of human beings (which is a fact: read any Cryptozoology book if you don’t believe me).

And this event? This was it for me. What I had been waiting for my whole thirteen years of life: an unidentified animal which I could identify. One which I could name! My whole life I’d been thinking I’d have to trek out to the Amazon rainforests or the Congo to find my mysterious creature, and here it was, at the end of my road in the pond I’d walked past every day!

I knew at that moment, as I stood there in the dark all rigid, that my dreams would now be full of Plop! and silvery-pinkish flash and probably not much else for a long time to come.

If you’re not sweating and feeling a bit sick with anticipation reading my account then you really should go and see a Doctor.

Once I had got my nerves back I punched myself hard enough in the face to wake myself up, just in case this was all a dream (everyone knows that pinching alone won’t do it). It was no dream. I was still standing in the darkness and I had not woken up and I was mega rigid.

Before I continue with what happened next, after the ripples had finally vanished, I should really tell you about precisely how terrified I was when the monster silvery fish-thing appeared. It’s very important to capture that, I think. I call it a fish-thing because it looked like a fish but was much too big to be any kind of normal live-in-a-pond kind of fish. It was the size of something much bigger, at least as big as Mr Grundy’s one-man boat, and the kind of thing you see on TV and say: “well that can’t be real, I bet that’s all computer graphics.”

I do not want to ‘go silly’ with describing my fear of the fish-thing, as my mum might say, so I am going to assume that most everyone who reads this book understand what big-fear is like and just how awful it can be when it strikes you down quick and hard without warning. After all, you’re a reader, so there’s a good chance you’re not thick. But for everyone who doesn’t know what big-fear is like, or who is a bit thick – because statistics say there has to be some, and you can always trust in them statistics – I have devised a way for you to understand it perfectly. The following demonstrates big-fear.

Still big fear…

Big fear not even close to being shown how scary it is…

Here I am. Now, imagine that all the masses of white space between the last paragraph and the start of this paragraph symbolises big-fear, and that the space between each of these words here is normal everyday fear that just makes you jump a bit (a small spider creeping out from under the bin, for example). Now I think you get a much better idea of the terror of what happened inside me at that precise moment when I saw the fish-thing. Now we can move on.

And before you ask, Yes, I was certain that Mr Grundy knew nothing of the mysterious fish-thing, which meant that Mrs Grundy couldn’t know either, of course, because she never came out to the pond, and she did not like fish. Mr Grundy is a farmer and very straightforward and he does not and never has had a habit of lying or keeping things of this massiveness a secret.

So, I was still standing there with what felt like concrete in my veins. I know that the best way to begin a good book is not imagining a thirteen year-old boy standing in one place staring out at a pond in the night with concrete in his veins, but I can’t change the facts, can I? This was how it was.

I tried to move. It did not work well, mainly because my eyes were being selfish and wanted only to stare out without being made to look at other things. Once the big-fear had worn off a bit I decided to stand still three feet to the right of where I had been and do my thinking calmly like that, with my arms crossed tight, as I find is best for the utmost concentration to happen smoothly. There was another reason for standing still too, and if you’re a Cryptozoologist then you’ll have already worked this out ages ago and be feeling really smug. It was to become part of the pond, like a tree or a bush or something like that. If the fish-thing decided it wanted to make another appearance then it would have no idea there was one of them odd pink creatures watching.

So I waited a bit more.

Disappointingly, but as often happens to you when you are at the cutting edge of rebel science, the fish-thing did not make another appearance in the minutes after that. The pond was calm again like there had never been the Plop! and I checked over every bit of it but there were only small bubbles from small fish and the occasional Riiiiibet! from a frog that must have known much more than me. I waited for a full ten minutes to give the fish-thing time to make its enormous mind up and then I left to tell Mr Grundy about this most spectacular happening, reminding myself that I was absolutely forbidden at the pond after dark. Wait a moment, actually, that what I just said was a bit of a white lie: I didn’t leave immediately, because that would have been really unprofessional Cryptozoological madness. What really happened was I started to walk away and then I remembered myself: I hid behind a bush and then I came back to exactly where I had been, very slowly, creeping on the dry grass on all fours like an animal would do if it wanted to surprise its pray and rip its throat out. The fish-thing was still not there, but it could have been, why not? The fish-thing might be a sneak and of course it would want to remain a secret because it had this long and to not be a secret any more when you had been such a huge success of one would not be good at all for the self-esteem. It could be very depressing for any creature of any size, with or without fins, couldn’t it?

Once I had got almost to Mr and Mrs Grundy’s house, which is located bang smack next to the pond behind a hedge, I crept back all the way again for a second time, but I was still all alone in the dark. And that was when I said enough is enough and properly went to Mr and Mrs Grundy’s.

AND once again I am going to make it easy for you! Paperbacks here and Amazon UK here, Amazon US here. Fancy reading a review? You’ll find it here.

To see my guest blog on Penelope Fletcher’s blog, you only need click here…or head on over to Disability Cornwall to see their feature on the book (you’ll need to subscribe first).

The Number 3 Mystery Book — buy your paperback now

September 21, 2011 Leave a comment

Black and white ex-racing greyhound Jojo loves The Number 3 Mystery Book so much, she'll frequently spend hours in her doggy-den, mulling over the captivating storyline. In this photo, her morose expression conveys her sheer inability to fathom why anyone else wouldn't want to read it too. (In their doggy-den or otherwise.)

Last week, finally, it happened: a very disgruntled post-man — complete with small red van, like the demonic real-life becoming of postman Pat — turned up at the door holding a massive box; the kind of box which surely must be urban legend in the post-office, and which post-men and women alike no doubt spend their whole lives fearing they might ond day get lumbered with. I quickly recovered from the shock of this event FINALLY happening and learned why he was so disgruntled: the box weighed an absolute ton — in it, 100 paperbacks of my debut novel (which is 14.5cm x 20.5cm and a perfect-bound laminated paperback, just like you see in the shops). If you haven’t already, read the synopsis and see reviews here, where you can also buy the digital version.

The paperback cover has smaller title writing, as seen in the photo above with Jojo posing

And it’s about time this self-publishing venture of mine really kicked in. 3 months ago I made the very brave statement that “in 3 weeks my books should be available in paperback.” A total impossibility as it turned out; first there was the formatting to do, and then there were graphics to sort out. Aside from that, a human-being must also sleep…still, let’s not dwell on that point, it’s a time for being smug and it won’t come again for a while, that much is certain. Instead, let me tell you how you can get your hands on a copy and other important details. Then you can be smug, too. Don’t say I never give you anything.

INDEX

* Why you should buy this first-run, limited-edition book

* Can I have a signed copy?

* OK Chris, you’ve broken me. I live in the UK, how do I pay?

* Oh dear…but Chris, I am a luddite…does that mean I have to wait until either someone

leaves it on the train or it ends up in a library or a bin?

* But Chris, my problem is I don’t live in the UK. It’s the end of the world!

And just when I thought everything in my life was going right…

* …Is there a web-site for the book? I’m intrigued and would like to know more

* Links to more about the book

* Thanks

Why you should buy this first-run, limited-edition book

Because if you don’t you are making the biggest mistake of your life, of course. But aside from that, and the fact that if you don’t buy it your children won’t ever discover it in the book-shelf — which would mean them missing out on a vital part of English culture, which would be all your fault! — this first edition might one day be worth something. I know, I’m getting carried away here, but let’s say I make the big-time, or the semi-big-time, or just the semi-semi big-time, right? Or I get involved in a road-rage incident with the Pope or something and that gets me on This Morning. Well, in that case these might become valuable. Or at least sought after. It’s all very good and well not buying one now, but don’t come crying to me when you need to pay that last thirty grand on your mortgage in twenty years’ time!

Can I have a signed copy?

Yes! And that’s not me saying that out of vanity. Lots of people have already asked for this — without me even mentioning it — and although my right hand is now almost perpetually spasmed from all the signing, I’m sure I can make an exception for you.

OK Chris, you’ve broken me. I live in the UK, how do I pay?

Here’s how you do it: if you have a Paypal account then it couldn’t be simpler. Simply sign in and click the Send Money button as depicted below:

Once you’ve done that, you get this:

As you can see, now you are here. From this point on it’s very simple: enter the amount of £9.50 (£2.50 of that is for UK postage and packaging — the book on its own cosst £7.50) and the email address chrispink49@googlemail.com and hit Continue.

And I repeat, £9.50 includes postage and packaging, so you’re not going to get stung for anymore, I assure you.

On the next screen you’ll have the option of adding a message in the box provided. If you would like me to write something in the front of the book, no matter how ridiculous or formal — excluding death-threats or malicious notes like  “Here’s a book for you. YOUR DUMPED!” — write the exact words in this box and I will get it done. It is a promise.

AND I DO NEED YOUR ADDRESS! so if your Paypal account doesn’t automatically send this, be sure to include this in the message box as well.

Oh dear…but Chris, I am a luddite…does that mean I have to wait until either someone

leaves it on the train or it ends up in a library or a bin?

Sorry, yes.

Only messing! Of course not, as long as you never ever again suggest it might end up in the bin — that really wasn’t very nice. So yes, I also accept cheques too. Please email me if you would like my address, and I will tell you and only you it. You have to be careful, you know. That bloke Dom off of Cowboy Builders is always going on about it.

But Chris, my problem is I don’t live in the UK. It’s the end of the world!

And just when I thought everything in my life was going right…

Seriously…calm down. It’ll be OK. If you don’t live in the UK, you need to email me and tell me where you live. Then I can calculate the postage costs and we can go from there. There, isn’t that better? (And don’t panic, the postage costs are reasonable. Examples below.)

US: £5.40 / $8.40

Germany: £3.40 / Euro 3.90

France: £3.40 / Euro 3.90

It is. Just one last thing…

Isn’t there always…

…Is there a web-site for the book? I’m intrigued and would like to know more

Ah, in that case I forgive you. There IS a web-site for the book, actually — it’ll be taking all the money, which will be nice — but sadly, seeing as I lack any technical computer skills whatsoever, I am still trying my best to work out how to upload the damn bloody thing. As soon as it is up, I will post an update here.

————————————————————————————————————————————————————————

Links to more about the book

All Number 3 related book things are on this blog here

Feature here on Fiction Fierce

See the synopsis here

Thanks

One last thing: thanks again to the many amazing people who helped make my first novel a reality. It wasn’t an easy journey, but people like Phil Thomas, Robin Bright, Jack McCourt and Yasmin Selena — whose brand-new blog about writing and short stories is up here and you really ought to read it — made it a hell of a lot easier than it might have been otherwise. I couldn’t have done it without any of these people, not to mention the many great friends who are showing support on Facebook and Twitter right now. You’re all most excellent.

Lastly, as you know, there are only 100 copies of this first edition in existence. I’m reserving copies for quite a few people, but they can’t be held forever, so the sooner they are paid for the sooner they can be despatched.

Thanks for reading and hope to hear from you soon,

If you have any other pressing questions, feel free to contact me at: chrispink49@googlemail.com

Chris

Independent author interview: a man called Roger Knowles

September 10, 2011 Leave a comment

Click the pic, go to Amazon.

You probably haven’t heard the name Roger Knowles, but that’s not to say his is not a name worth knowing. Like thousands of people taking advantage of the groundbreaking, easily accessible technology now available to writers world-wide, Derby-based Roger is part of an independent movement far bigger and ultimately more astonishing than anything dreamt about as little as 20 years ago. Using portals like Amazon, he’s getting his work into the hands of anyone owning a Kindle. It may be doing the publishers’ heads in, but who cares, right? All’s fair in e-books and war.

Get Naked! Sorry Roger...I couldn't resist it...

Roger and I became acquainted through an online forum and, while I haven’t met the man in person – who is certainly a character – I have read one of his recent works – Broken Cats and Cowboy Hats – and enjoyed it; largely because I don’t write thrillers, and always enjoy reading books which approach things a bit differently to the way I do. With that in mind, and always one to jump at the opportunity of doing a blog post with minimal effort – can you really blame me? – I asked the man if he’d like to answer a few questions on this blog. He said yes. The result is as follows…

One: Your novels contain technical shifts in POV (point of view) which many authors find less than easy. What do you enjoy about jumping between time frames and what draws you to writing from the perspective of multiple characters instead of just one?

I’ve never liked the POV rule, feeling that as long as the reader can understand what’s going on, the rule’s irrelevant. Yes, I know – try telling an agent, publisher or editor that! But as I have no interest in conventional mainstream publishing, I can do what I like [Roger put a smiley face here, but you'll just have to imagine that, as WordPress seems to harbour a serious dislike of smiley faces]. I don’t especially enjoy jumping between time frames, but I wanted to try different approaches with different books, and I thought that approach best suited ‘Broken Cats…’

Two: Broken Cats and Cowboy Hats is an unconventional thriller to say the least. What are your influences (literary and other)?

I must have some buried in my subconscious, but, consciously, I honestly don’t know of any. Having said that, I have the attention span of a young child on E numbers, so I like short chapters. For that reason I’ll happily read early James Patterson. And for his ability to tell a good if improbable story, I enjoy Lee Child and his Jack Reacher books – yes, I’m a bit lowbrow. Non-fiction wise, I’m a fan of Bill Bryson and the PC incorrect Jeremy Clarkson. I know admitting to liking the latter is like saying you’re a Jeffery Archer fan, but I can’t help that – he makes me laugh. Non-literary – my mother was a house-mother in a children’s home when I was in my teens, so I lived with severely disadvantaged kids for a few years and saw that even the basically good ones could easily go wrong.

Three: Could you give us some insight into what you did before writing novels and how that helped when you decided this is what you want to do?

My previous life involved writing long and complex investment reports for discerning clients along with pieces for the financial Press. I guess this taught me brevity, which I hope is reflected in my novels – I dislike long descriptive passages – sorry Mr Dickens.

Four: Although your work is obviously fictional, do you draw inspiration from any real locations?

Not really, though I have used one or two locations from my home town, Derby. One of my books, ‘The Association’, actually uses Derby as the location in one section – pure laziness, requiring no research.

Five: Some people are under the impression that books always take years to create. In reality those who write know that that isn’t always the case. How long do you spend working on a first draft and what do you think the advantages and disadvantages of writing at speed are?

On the first draft, probably about a week, but I’d stress that the end result is always extremely poor quality. The main advantage, I think, is the opportunity to get ‘the bones’ down as they emerge from the brain, and to quickly reveal aspects that don’t make sense in one way or another, which can then easily be dealt with in later drafts. Disadvantages? For me, none, but I know many writers have everything carefully planned before they put pen to paper, and for them, that’s the right way.

Six: ‘Write a thriller’ seems to be something on a lot of people’s to-do lists. What advice would you give to someone who has always harboured a secret desire to write one but has never quite got round to it?

Pick up a pen or switch on your computer and write/type ‘once upon a time’ then keep writing/typing until ‘the end’ appears on the page.

Seven: I like to wear stone masonry ear-defenders while I write. Do you have any strange or surprising tactics for shutting the outside world out and getting on with what you need to accomplish?

I use headphones with my MP3 player, using alpha-wave producing classical tracks.

———

Roger has another book out — this time romantically inclined — which is called To Be A Man. You can buy it or read the reviews by clicking here.

Never underestimate people: 2) when emails come out of nowhere

July 18, 2011 2 comments

If I'd have been an email-reading puppy, I'd have been this happy

You write a novel, you hate your novel, you love your novel, you edit your novel, you’re scared by your novel.

But mainly: you don’t know what the hell you feel about your novel.

Wait, yeah, you do know: If you’re novel was a person who came knocking on your door, you would floor it instantly.

…and then you actually do it. You find someone to format it — a pain — and you upload your book on Amazon, or wherever else you see fit.

Then you start the promotional stuff. This, in a bizarre kind of a way, is the fun — if terrifying — bit. Free of the woes of editing, you’re able to tell the world about your book. Yeah, woo! You don’t need to hide anymore. The book is real now. People can read it, consume it, and, with any luck, love it as much as you do (OK, not as much as you do. Much as you went through stages of hatred towards your book — to put it mildly… — a bond exists between you and it that no other human being will ever be able to appreciate).

When I started promoting The Number 3 Mystery Book I expected I’d send out countless emails and nothing would happen (read about anything Number 3 related here). My pessimism in this case is hilarious, if not downright odd — I am, and have always been, exceedingy optimistic about everything in life (you have to be to write a book; either that or just very, very bored). But what you have to remember, when promoting your novel, is just that: it’s your novel. To those people you’re contacting, you’re just another stranger who has written a book.

Let’s not talk statistics…let’s just say that most novels that are written are absolutely awful. So why do you think that a stranger should take you seriously?

So…because I didn’t expect anything at all, I felt completely free when I started sending my promo emails out. This made me happy and allowed me to keep on going, which was essential. So, as the days passed and no replies came in, I wasn’t at all bothered. In fact, if anything, I treated it like a race: how many emails can I send out before I get a response?

Then a reply came through which knocked me totally sideways. It was from the owner of an LA based website (ABLE Foundation), and her name was Jihan Cazares.

Jihan’s email was nothing less than amazing, and I quickly learned that the ABLE Foundation was very much in line with the concept of my novel, and with my aim to spread awareness about disabilities while also creating a book which would entertain. Not only was she extremely positive about my novel — I had sent her a rough description and a link to the page on Amazon US — but she wanted to know more about it and was even asking about if I’d be doing paperbacks (which I am…more on that in the very near future). Jihan may not have realised this at the time, but that email really mattered to me. To have a total stranger get back to me so quickly — and with the kind of friendly, enthusiastic tone usually reserved between good friends — was mind-blowing. Not only did it make me feel as though my book could potentially have mass interest, but it made me realise that it isn’t all about the sales. Sometimes it’s just about an email, a smile, and a spring in your step.

So, thanks Jihan!

New in ‘short stories’…Today I did it: I actually PUT UP A TENT

July 7, 2011 3 comments

I think I like this tent because it doesn't look like my nightmare vision of a tent. But then again, it may be using its unique image to lull me into a false sense of security before punishing me severely for crimes against tents. People, keep your eyes OPEN!

 

Tents baffle me. This is a story about my bafflement!

I DON’T MIND IF I DO, TAKE ME TO IT!

Never underestimate people: 1) you have to love them readers

June 27, 2011 4 comments

All too often I read an interview with an independent novelist and see something along the lines of: I did it all myself. The writing, the editing, even the formatting!

The exclamation point is justified. After writing a book entirely on your own, and spending what may be years — in any case, countless hours — huddled over your laptop or pad of paper, you can put whatever the hell you want at the end of a sentence like that. I believe you’ve earned it.

But one thing I don’t think you should do is keep your work entirely to yourself before you publish. For some reason — or maybe several reasons — many independent writers feel that they can produce a decent piece of work without having it vetted before it goes out into the world. I won’t lie, there may have been a time when I thought similarly, but after my experience with The Number 3 Mystery Book, where more than a couple of people played a vital role in reading and reviewing, I wouldn’t dream of releasing a novel any other way.

As I’ve mentioned in the Thanks section of the book, people like Duncan Kerr, Will Fairweather and Yasmin Selena — herself a talented writer — did an amazing job of pointing things out which I could never have spotted. For example, even though he’s not a writer, Dunc pointed out the contrast between light and dark in the book, and that the piece as a whole might benefit some from being made a bit smoother, while Will spurred me on during one month where I was beginning to think the whole thing was a waste of my time. At the end of the writing process, Yasmin was amazing. She read the novel in just a couple of days and gave me detailed feedback on everything from spelling and grammar — it wasn’t perfect… — to style and flow. And that isn’t it by a long shot. There were many other people besides that who played a part. (And I could go on all day about the many fine people who have already read / are presently reading the book and enjoying it.)

I wasn’t going to write this post — I’m conscious that I don’t want to ram my novel down peoples’ throats — but now I have I hope it might help some people. Just know one thing: you can only get better by showing others your work. Never be ashamed of what you have produced, and chances are that someone out there will love it too.

More coming soon on the marketing campaign surrounding my book. People have been asking me how that’s going, so I’m going to give it to them. For now, goodbye!

New in The Writing Process: Look, listen, observe

June 23, 2011 Leave a comment

A post about observation and writing.

———

Several weeks ago I saw a comment on Facebook…

LET ME READ THIS, PLEASE CHRIS

Today is the day that Chris coins a phrase — and that phrase is ‘Writer’s Opening’

June 19, 2011 1 comment

There’s a lot of talk about the so-called debilitating Writer’s Block — the condition which can floor a writer, disabling them from producing anything worthwhile. But what frustrates me, now I really think about it, is that nobody ever talks about what I have decided to call Writer’s Opening; if you ask me it’s just as much of a curse as the former! In fact, sometimes, when you get it really bad, it can be even worse…

Writer’s Opening — and I’ve named it this for the simple reason that an opening is the direct opposite of a block — has plagued me off and on for some time now. It’s symptoms are terrifying and are typically as follows:

1) The inability to stop writing.

The inability to stop thinking about writing. Everything you think about points to writing! You just can’t keep yourself away from a pen and paper or computer, and whenever you’re mid-way through an important conversation with someone, that is when it strikes you down.

2) Words forming themselves into sentences in your head without you giving them permission. In extreme cases, these words form what seem to be at the time almost revelatory pieces of writing. Pieces of real significance. There’s no way you can leave them to fade away inside your head, not those thoughts. They simply must be recorded, even if…

3) …they occur in the dead of night, pulling you out of a wonderful sleep.

End of symptoms.

Much as I joke, occasionally I really have been dogged by this. There have been times when I’ve woken up again and again and again, forced to record my thoughts down either on my mobile phone notes or on any paper I can find. It gets beyond a joke. Sleep? Forget it. You may as well just stay awake and write. Hope it leaves you alone eventually.

Or maybe it’s just me?

 

Follow

Get every new post delivered to your Inbox.

Join 37 other followers